A brilliant and extreme statement of this view, with which it is not requisite to associate oneself, is that of M. They were, therefore, more mature and better than later poets.
The poetry of Donne to whom Marvell and Bishop King are sometimes nearer than any of the other authors is late Elizabethan, its feeling often very close to that of Chapman.
The feeling, the sensibility, expressed in the Country Churchyard to say nothing of Tennyson and Browning is cruder than that in the Coy Mistress. The elaboration of a figure of speech to the furthest stage.
The Elizabethans had such a sensibility. The possible interests of a poet are unlimited; the more intelligent he is the better; the more intelligent he is the more likely that he will have interests: They lacked balance and they reflected.
In the former, there are short syllables to produce an effect of great speed and in the latter, long syllables are used to effect an ecclesiastical Eliots essay on metaphysical poets. Eliot gives concrete illustrations to show that such unification of sensibility, such fusion of thought and feeling, is to be found in the poetry of Donne as well as in much of modern poetry, but it is lacking in the poetry of Tennyson.
Difficulties in the Way Eliot is quite conscious of the difficulties of the task he has undertaken. Eliot makes a distinction between the victorian poet reflective poet and the metaphysical poet intellectual poet.
Dante has given expression to his spiritual experience in sensuous terms, in a visual image, the simple flame. In fact, it does not have it.
We can only say that it appears likely that poets in our civilization, as it exists at present, must be difficult. In the seventeenth century a dissociation of sensibility set in, from which we have never recovered; and this dissociation, as is natural, was aggravated by the influence of the two most powerful poets of the century, Milton and Dryden.
He means much more than that. Even such a shrewd and sensitive critic as Dr.
Early in the 18th century there was a reaction against the intellectual and ratiocinative given to reasoning and argumentation poetry of the pseudo-classics. Secondly, there is the device of the development of an image by rapid association of thought requiring considerable agility on the part of the reader.
But the essay is much more than a mere review. They would not, certainly, be classified as metaphysical. But such telescoping of images and contrast of associations are not a characteristic of the poetry of Donne alone.
Therefore, he concludes that Metaphysical poetry cannot be differentiated from other poetry by Dr. They are simple, artificial, difficult, or fantastic, as their predecessors were; no less nor more than Dante, Guido Cavalcanti, Guinicelli, or Cino. We may express the difference by the following theory: But they were, at best, engaged in the task of trying to find the verbal equivalent for Eliots essay on metaphysical poets of mind and feeling.
The poets in question have, like other poets, various faults. But at the same time, the feeling became more crude. Poets like Tennyon and Browning think but do not feel their thought as immediately as the odour of a rose.
Their reading and thinking alters theirs feeling, this modified feeling is expressed in their poetry, and hence their unification or synthesis of thought and feeling. Louis during the first eighteen years of his life and attended Harvard University.
A thought to Donne was an experience; it modified his sensibility. The force of Dr.‘The Metaphysical Poets’ It is to be observed that the language of these poets is as a rule simple and pure; in the verse of George Herbert this simplicity is carried as far as it can go – a simplicity emulated without success by numerous modern poets.
Dec 08, · The Essay: Its SignificanceEliot’s essay on The Metaphysical Poets was first published as a review of J.C. Grierson’s edition of Metaphysical Lyrics and Poems of the 17th Century.
But the essay is much more than a mere review. It is a critical document of much value and significance. It is an important landmark in the. What is his charge against Milton and Dryden in the essay on ‘The Metaphysical Poets’?
Eliot’s theory of the ‘dissociation of sensibility’ may be said to be an attempt to find some kind of historical explanation to the dissolution of the tradition of unified sensibility which found its perfection in the writings of Dante and.
There is nothing in these lines (with the possible exception of the stars, a simile not at once grasped, but lovely and justified) which fits Johnson's general observations on the metaphysical poets in his essay on Cowley. Other articles where The Metaphysical Poets is discussed: dissociation of sensibility: Eliot in the essay “The Metaphysical Poets” () to explain the change that occurred in English poetry after the heyday of the Metaphysical poets.
T. S. Eliot - Poet - Born in Missouri on September 26,T. S. Eliot is the author of The Waste Land, As a poet, he transmuted his affinity for the English metaphysical poets of the seventeenth century (most notably John Donne) and the nineteenth century French symbolist poets.Download