Evidence Click text to edit Enter your evidence here. He starts declaring his love for her and ends up plotting her death. However, by refusing Desdemona the chance to defend herself, it is not clear how his form of justice differs from pure vengeance.
Be genial, sometimes jovial, always gentlemanly. Othello has had an epileptic seizure and is clearly shaken, yet it is obvious that he is still in full possession of his mental faculties.
However, it can be shown that Othello allows himself to be manipulated. But while I say one prayer! When Othello finds out Desdemona truly is the pure and innocent emblem he created in his mind, he is obligated to commit suicide.
After she is dead, he will be free to love his idealistic image of Desdemona without worry: Othello allows himself to be influenced by Iago, and allows Iago to bring out his most evil characteristics.
But for all this, as his plot against Othello starts moving and gathering momentum, he loses control of it and must take real risks to prevent it from crashing.
The thing about Iago is this—we never really know for certain why it is that Iago wants to destroy Othello. Point Iago is angry at being overlooked for promotion and that the position of lieutenant is given to a man he feels is less worthy than him. Strangle her in bed, even the bed she hath contaminated.
Do it not with poison. Would it not make one weep? Look specifically at the tactics Iago uses to convince him. Like Iago, plotting his course of destructive action, Othello too plots the death of Desdemona with calculating reason: Oftentimes the culprit is ambition, as in Macbethor revenge, as in Hamlet.
Point Iago is jealous of Othello. Iago is surrounded with bitter irony: One must ask if these are the actions of a mentally weak man, a mere puppet in the hands of lago? Take a look at the way Iago talks about hating Othello, at first to Roderigo and then alone on stage.
Othello, unlike Iago, is capable of forming strong, loving relationships; his genuine friendship with Iago confirms this fact. He likes to have others unwittingly working to serve his purposes. Why does Desdemona love Othello? Act 2 Scene 2: Iago is a Machiavellian schemer and manipulator, as he is often referred to as "honest Iago", displaying his skill at deceiving other characters so that not only do they not suspect him, but they count on him as the person most likely to be truthful.
He even grows closer to Othello as his plot progresses. It would feel better to see Othello as a mental weakling, driven insane by his pain and confusion.
Iago has a reputation for honesty, for reliability and direct speaking. A Life of William Shakespeare.
This plan occupies the final three acts of the play. He does it with a sense of craftsmanship, appreciating the elegance or cleverness of a particular step in his scheme as much as its final result: What is it that finally convinces him that Desdemona is guilty.
Act 1 Scene 5:Iago has always been an attractive role for actors to play. Although the play is called Othello, Iago has more stage time, more lines, and is the third largest role in Shakespeare's canon. Skip to 0 minutes and 53 seconds Iago has more opportunities than Othello to connect with the audience through soliloquy.
And his. Iago is a fictional character in Shakespeare's Othello (c. –). Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona. Shakespeare's 'Othello': An Analysis of Iago's Character Words Jan 7th, 8 Pages This idea is evident in Iago's traits and motivations, his interactions with others, his use of language and the use of others' language concerning him.
Iago. Othello's ensign who was passed over for the lieutenant position in favor of Cassio. Iago is young and treacherous; he is a villain from the start, and though he cites his wounded pride and Othello's alleged infidelity with his.
Iago is continually playing a game of deception, even with Roderigo and the audience. The paradox or riddle that the speech creates is emblematic of Iago’s power throughout the play: his smallest sentences (“Think, my lord?” in killarney10mile.com ) or gestures (beckoning Othello closer in Act IV, scene i) open up whole worlds of interpretation.
Iago from Othello is a central character and understanding him is key to understanding Shakespeare's entire play, Othello - not least because he holds the longest part in the play: 1, lines.
Iago’s character is consumed with hatred and jealousy.Download